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A considerate counter to the line’s characteristically (study: iconically) prim choices, a cadre of punkish, mohawk-mimicking, beribboned braids at Chanel functioned as an edgy addition.
Viktor & Rolf
Although Viktor & Rolf showcased a prosperity of higher than-neck grandeur, the pops of saccharine blush—pressed throughout lids just before diffusing to the best of the cheekbone—proved the most noteworthy. A bonus? Also the most emulatable.
The get the job done of make-up artist Linda Cantello, the pastel eyes at Armani had been plasticine perfection, a saturated pull of cornflower blue framed by an arch of seafoam, divided discreetly by a bubblegum border.
At Fendi, an knowing of traditional couture allows for an assumed reign. But this year, that archetype arrived replete with crafted updos, like the braided beehive expertly executed by Guido Palau.
The cat-eye is universally loved—which can only imply that it’s time to subvert it. Peter Philips traded basic black for a wealthy midnight blue at Dior, edging the liner alongside the lessen lash line ahead of ending in an eye-extending wing.
For a natural beauty seem deserving of Demna Gvasalia’s couture debut for Balenciaga, makeup artist Inge Grognard painted usually bare faces with slashes of universal eyeliner, each moist-look onyx addition customized to the model’s features. “It felt like a gesture that was just often there,” Grognard informed Vogue of the software.